Museum International, 2009
View PDFchevron_rightIconography iconology and style analysisVincent MeijerView PDFchevron_rightII. "Icons" in Visual ArtKatherine MarsengillEncyclopedia of the Bible and its Reception Vol. 12, 2016
View PDFchevron_rightIconography and iconologyWillem LashOxford Art Online, 1996
View PDFchevron_rightA Comprehensive Iconographic Database for Egyptian Objects: method and results (2003)Maya MuellerZahi Hawass (ed.), Egyptology at the Dawn of the Twenty-first Century. Proceedings of the Eighths International Congress of Egyptologists Cairo 2000, The American University in Cairo Press, Vol. 3, 322-327. , 2003
Our method of isolating and structuring iconographic Information can be called parametric analysis. In order to demonstrate it, we use the manifold corpus of small votive objects of the first millennium B.C.E., showing how the visual information contained on them can be divided into elements which must be defined linguistically. The next step is to observe in which contexts any pictorial element or combination of pictorial elements occur. This leads on to establishing a web of relationships among the varying types of votive objects.
View PDFchevron_rightReview of: Paul Taylor (ed.), Iconography without Texts. Warburg Institute Colloquia 13, 2008Thijs WeststeijnJournal of Art Historiography
View PDFchevron_rightAn essay on iconographic analysis: relations between the theory of art and the archaeological methodRenan MazzolaActa Scientiarum, 2015
In this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of 'iconological interpretation' proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Um ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológico RESUMO. Neste artigo, investigamos a teoria da arte que subsidia o pensamento de Michel Foucault e analisamos aspectos estéticos e históricos de desproporções anatômicas na pintura europeia. A partir do ensaio As palavras e as imagens, de Foucault, é possível visualizar o método analítico de Erwin Panofsky. A influência do historiador da arte sobre o filósofo francês evidencia-se na fase de 'interpretação iconológica' proposta por Panofsky, em que a sintomatologia cultural encontra lugar de destaque. Essa sintomatologia é buscada nas análises que realizamos de três artistas da Europa:
View PDFchevron_rightIconography: a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy)Kelley Hays-GilpinThe Oxford Handbook of Southwest Archaeology, 2017
Images from archaeological sites are often engaging, sometimes mysterious, and always seem full of potential for insight into the lives and thoughts of people from the past. Unfortunately, most research into archaeological images relies on a narrow range of art historical methods and on parallels with ethnographic information. These approaches are valuable, but unnecessarily limited. In this chapter, we encourage researchers to expand their understanding of images, exploring how perceptual and social theories of pictures shape our understanding of meaning and discussing the benefits and drawbacks of formal, informed, and artifactual approaches to studying pictures. We also review major temporal and cultural patterns in image traditions in the Southwest, illustrating how iconography yields important insights into cosmologies, values, the advent and spread of religious movements, macro regional interactions, and social dynamics in the past.
View PDFchevron_rightIconology and Interpretation. Budapest Review of Books 9 2000, pp. 193-197.Gábor Tüskés2000
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